About our statement pieces 

The ‘Catleya’ print depicts lilies, anemones, scillas, roses, carnations, pansies and the exotic orchid that is the namesake of this 1930s design.

The Hortus pot in glass is manufactured at Reijmyre glassworks in Östergötland, and seven craftsmen are involved in the process.

Aristidia is one of Josef Frank’s earliest prints. He designed it in the 1920s for Haus und Garten, his company in Vienna.

With a distinct aesthetic and vast knowledge within her field, Anna Petrus pioneered the way for pewter and highlighted its many uses.

Josef Frank designed almost 120 sofas, armchairs and couches for Svenskt Tenn, all with soft, rounded shapes and comfortable cushions.

There certainly is something special with linen. For us, it evokes associations to Josef Frank’s designs and our founder Estrid Ericson’s table settings.

In Josef Frank’s dreamlike wallpaper he combined the plants of the real world with colourful flowers of the imagination.

The floral Mille Fleurs print was originally called Tulipan and was designed in the 1920s for Josef Frank’s own company Haus & Garten in Austria.

Josef Frank's "Spider lamps" are characterized by the naked, visible light bulbs - a wink to the Art Noveau era and the birth of the electric lamp.

Josef Frank began designing stools for his own company Haus und Garten in the mid-1920s. During his active years he created about thirty different variants.

Josef Frank designed Sofa 968, also called the "Banana sofa", for Svenskt Tenn in the late 1930s.

Josef Frank and Estrid Ericson were fond of map prints, and Josef Frank created a total of four during his years at Svenskt Tenn.

Already as a child, Josef Frank had a strong botanical interest, and as a designer he expressed this by composing his very own flora.

Ann Wåhlström designed the vase collection Iris for Svenskt Tenn in 2009, after which additional colours and sizes have been released.

Chair P4’s and P5’s original sketches are preserved in Svenskt Tenn’s archives, and are manufactured today with the same technique as then.

Give your home a warm and comfy expression with Svenskt Tenn’s timeless selection of rugs by Josef Frank.

The candle holder is classic and timeless in its form, and has been part of Svenskt Tenn's range for almost 70 years.

In the summer house called Tolvekarna on Tyresö, Estrid Ericson came up with the idea of letting acorns sprout in a single small glass vase.

Josef Frank's floor lamps 2431, 2548 and 2368 have been given nicknames such as ”The San Francisco lamp”, ”The Crutch” and ”The Camel”.

During World War II, Josef Frank went into exile and travelled from Sweden to New York. There he created an outstanding collection of prints.

When Erika created the plant pots for Svenskt Tenn, botany was part of the inspiration, as was the human need to arrange items.

The base of candle holder Flow has a soft shape that makes the pewter appear as if it accidentally has flowed and hardened.

Coffee table 2139 combines the round shape with Josef Frank’s typical coamings. Learn more about the coffee table and the history behind it here.

Ten years have passed since Carina Seth Andersson designed the Dagg vase for Svenskt Tenn. Learn more about the vase and the designer’s thoughts.

Vänskapsknuten has become a classic in Svenskt Tenn’s range, both due to its form and its meaning. Here you can read all about the history.

Estrid Ericson loved elephants, and the exotic animal is seen in several of her early creations, such as pewter boxes and figurines.

Josef Frank was inspired by the material world of East Asia and made use of rattan, bamboo and other materials, which recur in a number of his designs.